library surfaces
Tracks, albums, artists, genres, playlists, favourites, selection, history, and stats.
Built for owned libraries, uninterrupted flow, tactile signal shaping, and the kind of listening that still notices the handoff between tracks, the feel of a queue, and the route carrying the sound.
Tracks, albums, artists, genres, playlists, favourites, selection, history, and stats.
32-band custom biquad EQ, custom Freeverb, SoundTouch time, preamp, output gain, stereo, and compressor.
Mood playlists, similar tracks, mood detection, and scheduled routines.
A player for people who still care how playback feels.
AntiiQ is built around collection, flow, and signal control. Local music is not a fallback mode here. It is the center.
A player should sound authored before it ever asks to be admired.
The dashboard is built around albums, artists, genres, playlists, favourites, listening history, and stats. It treats your library like something with shape and memory.
Prepared track handoff, gapless behavior, crossfade control, and a native output path keep one piece of music from collapsing into the next.
AntiiQ has its own DSP identity: a custom 32-band biquad EQ, custom Freeverb, SoundTouch tempo and pitch control, stereo width and mono mix, preamp, output gain, and compressor.
Smart behaviors exist, but they stay subordinate to the listener: mood playlists, similar tracks, listening-pattern detection, endless play, and scheduled routines.
AntiiQ exposes its own path and telemetry because serious listening software should not hide what it is doing to the signal.
Artatura Labs made it. AntiiQ is the thing you came to see.